"this afternoon"
jettisoned in the Shop Rite parking lot was neon
mike + jenna girl. she let me have the bag full
of neat spikes + tyrannosaurus texas toast. then,
at approximately twelve fifty-four p.m. god him-
self wandered down here pantless, said the world
was over + anyone left is a crook.
neon bracelet looked like fuck, said "Viagra
does not protect against sexually transmitted
diseases."
- including HIV?
- including HIV.
who am i, with a Casablanca postcard + incredible
hulk haircut, just tryin' to muscle my way
into the lottery?
(tilapia sandwich. they sell those now in packs of smokes.)
Monday, August 31, 2009
Sunday, August 30, 2009
#7
"modesty is a white lie:
an evening with friends"
this time last year
we were still under the bus
at Ruby Tuesday's, or—
you've got to be kidding me.
i'm not paying for a
wet salad;
i'm just saying
i'd rather know what time
the bar closes so i can get out
my work clothes.
you go out
on Thursday
because it's so similar
to Friday.
an evening with friends"
this time last year
we were still under the bus
at Ruby Tuesday's, or—
you've got to be kidding me.
i'm not paying for a
wet salad;
i'm just saying
i'd rather know what time
the bar closes so i can get out
my work clothes.
you go out
on Thursday
because it's so similar
to Friday.
#6
"wrds of counsl (frm the dctr who only spks whn spkn to)"
i.
first off levity is impossible—
you weigh 138 pounds
you who lived sixty-
one years before Alzheimer's. good
they didn't name it after you.
(sorry) we haven't met:
i am the doctor who only speaks
when spoken to.
i came in the white room on
Monday + words fell out yr mouth.
"life was a fugue," i said
to no one in particular.
ii.
nurse, nurse!
your precondition is a tonic;
you look lovely.
i met you on a plane.
you told me cirrhosis was like
cirrus clouds
in a terminal
known for flights.
iii.
where's self-medicated anesthesiologist?
-right.
listen, drink whenever you want—just
build up strength to
duck under the train before
god + the nightmare crew
have you
eviscerated.
i.
first off levity is impossible—
you weigh 138 pounds
you who lived sixty-
one years before Alzheimer's. good
they didn't name it after you.
(sorry) we haven't met:
i am the doctor who only speaks
when spoken to.
i came in the white room on
Monday + words fell out yr mouth.
"life was a fugue," i said
to no one in particular.
ii.
nurse, nurse!
your precondition is a tonic;
you look lovely.
i met you on a plane.
you told me cirrhosis was like
cirrus clouds
in a terminal
known for flights.
iii.
where's self-medicated anesthesiologist?
-right.
listen, drink whenever you want—just
build up strength to
duck under the train before
god + the nightmare crew
have you
eviscerated.
#5
"cul-de sac or impasse"
big wheels flipped over
on our street—upside down
the body parts,
crank pedals
with our hands.
"making ice cream" was
fun, more fun
than selling lemonade
or gatorade
that sucked,
since no one's
ever really thirsty
in this town.
big wheels flipped over
on our street—upside down
the body parts,
crank pedals
with our hands.
"making ice cream" was
fun, more fun
than selling lemonade
or gatorade
that sucked,
since no one's
ever really thirsty
in this town.
#4
"Cairn Made Out of Baseballs"
He who never sees the world
but in his faery head,
the timelessness of nothing
and the ejaculate dead
play pick-up on the iron lot
outside McSorley's.
1951: tinny bleachers hoist
the wistful living, who seldom raise
a banner; now, cairn made out of baseballs
flanks the mound where Reynolds
threw his opening day no-hitter—
so, so long Rizzuto.
Today, on this day in unhistory,
I forge a death fugue in my head:
my father, barely drunk, not
nine outs in nor half past one,
the smouldering, pyring sun—
less skeletal bodies then
colliding with their dated time;
I put them back into swing.
September 28: the Sox still trail by eight,
the raucous fans still raucous—
concessions freeze the sale of beer
(only because they've run out);
less pine tar in the living room
every time I open up your box of
tawny baseballs, autographs;
here's number 10 around the stitch:
"To Edward—keep your glove down,"
the best advice you got somehow.
He who never sees the world
but in his faery head,
the timelessness of nothing
and the ejaculate dead
play pick-up on the iron lot
outside McSorley's.
1951: tinny bleachers hoist
the wistful living, who seldom raise
a banner; now, cairn made out of baseballs
flanks the mound where Reynolds
threw his opening day no-hitter—
so, so long Rizzuto.
Today, on this day in unhistory,
I forge a death fugue in my head:
my father, barely drunk, not
nine outs in nor half past one,
the smouldering, pyring sun—
less skeletal bodies then
colliding with their dated time;
I put them back into swing.
September 28: the Sox still trail by eight,
the raucous fans still raucous—
concessions freeze the sale of beer
(only because they've run out);
less pine tar in the living room
every time I open up your box of
tawny baseballs, autographs;
here's number 10 around the stitch:
"To Edward—keep your glove down,"
the best advice you got somehow.
#3
"from the potbellied streets of dawn"
all child's play destroyed
them, pelleted with words—
for birds it is always wartime.
find shagbark out in
flyboy towns—
way out,
like a Catskills hospice;
sanatorium in shale,
where all birds must go.
birds that have hot flashes,
pandemonium
dream-compartments
bum-rush the sandpit
& volcano into
darkness—
hoarding "solid ground,"
shift bodies under bosoms, then fly.
f minor in the courtyard, singing
Greensleeves was all my joy—
straitjacket laden with worm-bits
blades, skeins
a flower.
all child's play destroyed
them, pelleted with words—
for birds it is always wartime.
find shagbark out in
flyboy towns—
way out,
like a Catskills hospice;
sanatorium in shale,
where all birds must go.
birds that have hot flashes,
pandemonium
dream-compartments
bum-rush the sandpit
& volcano into
darkness—
hoarding "solid ground,"
shift bodies under bosoms, then fly.
f minor in the courtyard, singing
Greensleeves was all my joy—
straitjacket laden with worm-bits
blades, skeins
a flower.
#2
"Conversation with God"
If you gave yourself three years
to fast, that would be an exquisite
offer. I've reached the point
where
I don't know what I'm doing but
I know what I'm doing when I'm
sad.
Today, the papers: "Ingrid
Betancourt, Une Femme Libre."
Our hell is far away from us.
Heaven is in our midst, a foreign
object.
The dependency of trust
is wearying. My head, a weight-
less hummer.
If you told me more
I wasn't listening. If you told me
less, I'd have forgiven you.
I can't
trust everything you tell me—
language is for whimps. I can't
promise you disaster, though
a thousand hearty
hearts have
wanted it,—
globally speaking,
that's none.
If you gave yourself three years
to fast, that would be an exquisite
offer. I've reached the point
where
I don't know what I'm doing but
I know what I'm doing when I'm
sad.
Today, the papers: "Ingrid
Betancourt, Une Femme Libre."
Our hell is far away from us.
Heaven is in our midst, a foreign
object.
The dependency of trust
is wearying. My head, a weight-
less hummer.
If you told me more
I wasn't listening. If you told me
less, I'd have forgiven you.
I can't
trust everything you tell me—
language is for whimps. I can't
promise you disaster, though
a thousand hearty
hearts have
wanted it,—
globally speaking,
that's none.
Saturday, August 29, 2009
#1
"Stupors"
Pรจre-Lachaise or Mazal Tov or Lazarus
Pรจre-Lachaise or Mazal Tov or Lazarus
like silver spits revolting 'round the city
or people waking
off the metro.
Self-consciousness likes company
but keeps none, except—
they hate you here, you
eye their fingernails in passing.
A drink, a gaze, a feuilleton—
what carries us is dead
and strangers watch us
in our sleep.
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